Dance: Is It a Field Endangered? What Can We Do?
Join Dance/USA and From the Green Room in an online discussion on the state of the field. Here is where the discussion to implement change and share new ideas, models, methods or practices that can help us acclimate to this shift in the field. What do we want: stability, job opportunities, long-term contracts, insurance? We look forward to your fruitful and productive contributions to this conversation.
It’s All in the Journey
An artist-centered sharing of culture and creativity is a practice
embraced by many choreographers; serving an essential purpose in
fortifying artistic inspiration and creative explorations, stimulating
the artistic journey from the studio to the stage.
Increasing Our Voice in Uncertain Times: Dance/USA Legislative Forecast
While funding for the NEA continues to be a flagship issue for the arts community, alternative proposals to the current charitable giving incentives could impact a larger number of dance organizations. It
surprises many to find out that the majority of Dance/USA’s visits to Capitol Hill are to talk about charitable giving incentives.
Small Strokes of Listening: A Few Reflections on Diversity from the Dance/USA 2012 Annual Conference
The unfortunate effect was the discussion had been silenced by a dance…. It was clear that
everyone in the room wanted more space and time for the discussion….
And so I was left
wondering again: How and when do we listen to each other as a dance
field? How can we create spaces that make room both for dancing and for
discussing?
Copyright and Choreography: The Good, The Bad, and The Fair
Copyright protection has been both a boon and curse: A boon, if you are
able to protect your work and receive income through license agreements;
a curse when it becomes an obstacle to getting your work seen and
studied when it needs to be. Read Elizabeth Jackson’s clear and concise explanation.
Bring Your Best Social Self to #DanceUSAconf
Plan ahead and test all of your tech. Do not wait until you land in San Francisco to try the app, test out your Twitter skills, or implement a social media management system. Here’s how.
Making a Mark: Dance and Social Justice
Increasingly, community outreach is just the tip of the iceberg for some dance companies, and artists and social justice organizations are finding mutual benefits to deeper and more prolonged partnerships. That deliberate choice of engagement, as opposed to outreach, seeks to erase some of the traditional hierarchies between dancers and community members.
Simon Sinek on Pursuing Passion, Purpose, and Challenging the Status Quo in the Non-Profit Dance Field
The reality is that great pioneers can’t do it alone. George Balanchine had Lincoln Kirstein working in the background. All of these great pioneers, all of these great visionaries, always had someone behind them building the organization while they were out challenging the conventional wisdom.
Program Notes: Are We Editing Out Our Dance Legacy and Missing a Means To Engage Audiences?
Why is it that, often, when I read choreographers’ biographies in performance program notes, I can’t find any information about their artistic evolution: who they studied or danced with, who was their mentor, or who inspired them to become a dance maker? I miss learning about dance artists’ choreographic development.
Is Dance a Field in Danger?
A young woman started to cry as she described her personal struggles with a career in dance, and the difficulty of working multiple jobs in the service industry without access to adequate health care or insurance.
This could be you.
This could be your dance student.